Blues in GR

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It is – at first – to federate in GR the actors of a “universal” musical form, the blues, to create a network of simulated actors.We see, in GR as elsewhere, that this universal form mobilises above all “matures” audiences, but also more and more young people. Leblues is socially inclusive music because it meets age groups that meet less in other music, except perhaps classical music. But unlike Classical Music, access to blues (concerts, bars) is simpler.The idea is therefore to facilitate cross-border matters and on “excent” stages access to these meetings by climbing a “route du blues” in large region, outside regional metropolises.To this end, it is necessary to launch the first modest version of a circuit of a travelling festival and create a cross-border network with actors (musicians and organisers)The BIGR project is the prefiguration (the basic stone) of this structuring.

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