California College of the Arts / Studio Gang

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Text description provided by the architects.Studio Gang, the international architecture and urban design firm led by Jeanne Gang, has completed an expansion on the California College of the Arts (CCA) campus inSan Francisco. The new building physically extends from CCA's existing main academic building to create a vibrant indoor-outdoor environment for learning and making, strengthening relationships among varied people, ideas, and creative practices. "The design intends to create a dynamic environment for art and design education, while also inspiring new forms of making through unexpected interactions between disciplines," says Jeanne Gang, Founding Partner of Studio Gang. "I'm excited to see how our addition to CCA's campus shapes the future of art and design and adds to San Francisco's storied creative community."Studio Gang's design for the California College of the Arts builds on the firm's growing portfolio of work in California, which includes Verde, a residential tower in San Francisco's new Mission Rock neighborhood for which Studio Gang also led the development of design principles and guidelines; an expansion plan, academic building, and three residential buildings for Kresge College at the University of California Santa Cruz; and MIRA, a high-rise residential tower in the heart of San Francisco.The design also supports CCA's commitment to sustainability through strategies that serve environmental and experiential purposes. The hybrid mass timber structure and minimal finishes reduce the building's embodied carbon footprint by almost half that of a typical baseline building. Physically intensive practices with heavy equipment are strategically located to concentrate structural loads and mechanical infrastructure on the ground level as well as provide adaptability as new needs, mediums, and technologies develop. Other passive design strategies, such as self-shading façades and night-flush ventilation, naturally cool the building to reduce the size and energy demand of mechanical systems. The building also has infrastructure in place to enable a closed-loop, net-positive building in the future.Emerging from the building's base, two mass timber pavilions house classrooms, art studios, and the new home of the CCA Wattis Institute for Contemporary Arts. Both pavilions lead onto a green terraced landscape that unites the building's lower and upper levels. Their deep balconies enable exterior circulation as well as informal learning, working, and social spaces where the CCA community can enjoy San Francisco's mild climate. Their structures, which are among the first exposed mass timber structures in California and include a one-of-a-kind eccentric braced frame system, allow their natural materiality and lateral and gravity loads to be visible. Through a welcoming new streetscape and programs that seek to increase the impact of art in the wider community, the new building enhances CCA's connection to San Francisco's design and innovation district as well as the wider Bay Area and its environmental, entrepreneurial, and creative cultures.Founded during the Arts and Crafts movement at the turn of the 20th century, CCA has grown to encompass 34 art and design disciplines, from jewelry, ceramics, and textiles to metal arts, architecture, and animation. Conceived as a creative ecosystem where different disciplines can productively interact and overlap, the 82,305-square-foot building provides new art-making facilities, learning spaces, and green spaces that support its diverse community. The concrete ground level is a hub of indoor-outdoor workshops for more physically intensive creative practices and large-scale fabrication. Organized around shared materials and equipment, this level's open, flexible plan makes the different programs visible and accessible to one another, promoting interdisciplinary interaction. Carved out of the concrete lower level, two large maker yards provide additional workspace and enable fresh air and natural light to penetrate deep within the interior.