ETHNO-ISS: An Ethnography of an Extra-terrestrial Society: the International Space Station

ended

The International Space Station (ISS) is arguably the oldest extra-terrestrial society in low earth orbit. To date this radical new form of human habitation and society has not been the object of systematic and comparative ethnographic inquiry. This project aims to correct this and proposes a comparative and multi-sited ethnography of the ISS among the contributors to its modular architecture: The Russian Federation, The United States of America, The European Union and Japan. The ISS offers invaluable insights into fundamental questions at the heart of the social sciences. The most obvious is the effect of micro gravity on our understandings of material culture and sociality. To date material culture has only been theorised in terms of Earth’s gravity. This project affords the opportunity to critically re-examine our terrestrially based theories. Related to this are the distinctive political aesthetics in this setting and its innovative dimensions of ‘worlding’ (Heidegger) and the materialities entailed therein. These relate to wider notions: the nature of transcendence in both anthropological, material and metaphysical terms as well as broader issues concerning territoriality and the expansion of the human and habitability and general understandings of materiality. Methodologically the project focuses on the quotidian and material dimensions of the ISS and its bodily and material techniques, re-examining traditional empirical assumptions within the innovative conditions of the new polymedia environments in which the ISS is situated. More importantly the project situates the respective Mission Controls and their wider communities as co-terminous with the ISS site, examining it as highly complex nexus of inhabitation encompassing both terrestrial and extra-terrestrial realms in a novel configuration and thereby provide the first ever integrative and comparative study of this unprecedented form of human society and the material conditions of its emergent ‘worlding’.