logo

Europe at War in Post-war Europe. Performing Greek Tragedies, Comedies and European Identity.

Sector: Bridge • Location: United Kingdom

Source: EU Funding & Tenders Portal

Project
Ended

This project will examine the multiple ways in which contemporary western European theatre directors (in the UK, Germany, France, Belgium and Switzerland) have staged and continue to stage war with the help of ancient Greek dramatic scripts from the WW2 onwards. I will argue that such performances question and try to understand European identity. The three strands of this interdisciplinary projec

Project Information FAQ

Project Information

3 Q
The project “Europe at War in Post-war Europe. Performing Greek Tragedies, Comedies and European Identity.” is an infrastructure initiative in the Bridge sector, located in United Kingdom. Taiyo aggregates data on it from EU Funding & Tenders Portal.

Want to explore the full details? View the full report

Participants

Sponsoring Agency

Obfuscated Data

Company

Obfuscated Data

Status

Original status

ended

Taiyo status

Obfuscated Data

Taiyo last update

00-00-0000

Available timestamps

00-00-0000

Available timestamp type

Obfuscated Data

Contact

Contact name

Obfuscated Data

Phone

0000000000

Email

ObfuscatedData@email.com

Address

Obfuscated Data, Obfuscated data, obfuscated data, Obfuscated data

Description

Description

This project will examine the multiple ways in which contemporary western European theatre directors (in the UK, Germany, France, Belgium and Switzerland) have staged and continue to stage war with the help of ancient Greek dramatic scripts from the WW2 onwards. I will argue that such performances question and try to understand European identity. The three strands of this interdisciplinary project (in between Classical Reception Studies and Theatre Studies and mixing practice and theory) will cover past, present and prospective dramatic approaches of this question: 1/ academic research (archives, libraries, interviews) to analyse past performances; 2/ observation of contemporary productions in rehearsals; 3/ creative labs with students from Oxford, Paris and Liège to highlight how young Europeans are dealing with those materials. This will allow to propose a history of war on stage in post-war Europe, told through productions of ancient plays that seek, sometimes consciously indeed, to build a distinctly European identity. The fellowship will take place at the APGRD (Archive of Performances of Greek and Roman Drama, Faculty of Classics, UOXF) that is the best environment to manage such a project given its world-class database and archive of performances of Greek and Roman Drama that I will use and contribute to. This indisciplinary project will grant me the opportunity to work with some of the best researchers in Classical Reception Studies in the world (particularly with my supervisor Fiona Macintosh), strenghtening my academic network. I will improve my skills in this field and also in general European research management to become a mature researcher in Classical Reception Studies (since I have a PhD in Theatre Studies). Moreover, since I already have an extended experienc as a stage-director, this research-as-creation project will bridge my academic and artistic carreers and put me at the forefront of Theatre Studies.

Original sub-sector

Obfuscated

Original Currency

USD

Original budget

000000000000000

Procurement method

Obfuscated Data

Budget

000000000000000

Location

Region

Obfuscated

Country

Obfuscated

State

Obfuscated Data

County

Obfuscated

Location

Obfuscated Data, Obfuscated data, obfuscated data, Obfuscated data

Source

Source reliability

High

Data quality score

100%

Source

Obfuscated Data

URL

obfuscated_data,obfuscateddata.com

More Details

Project Type

Obfuscated Data

Article Published Date

Obfuscated Data