House in Sashiogi / Waro Kishi + K.ASSOCIATES/Architects

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Open-Plan Updated:In the outskirts of Tokyo, this residence finds itself in the middle of the countryside, surrounded by fields and buildings scattered around. The site is almost 300 sq.m., more than sufficient for a small residence.  The immediate thought that came into my mind, when I visited the site for the first time, was that an open-plan, one-story house would be good for this environment.Simultaneously, these thoughts reminded me of a particular scene. It was the photo of Richard Neutra’s “Strathmore Apartment” completed in 1937. And it was not the architecture itself but the background scenery of Los Angeles at that time.  This building is located in Westwood. The Westwood area in the background was nothing like the green, lush place that exists now. I was shocked to see it was just like a desert with only shrubs gown here and there.Structure-wise, it is a wooden structure with wooden rafters as the main structural material. Factory-produced, readymade materials were used for all other parts, outdoor deck, and walls, to secure functionality as a building. At the same time, I aimed at creating an interior “scenery” by contrasting the “warm” wooden structure with the “cool” industrial products.Also, I remembered that present-day Los Angeles full of greenery and trees is, in fact, artificially created nature, thanks to the man-made waterways connected from the nearby State. The rapidly changing environment, that is to say, the man-made scenery of Los Angeles allowed the group of open-plan, one-story houses called “Case Study Houses” to be built from the 1950s on. With this project, I dreamed of a Tokyo version of the Case Study House of the 21stCentury by designing an open-plan, one-story house that was possible to build on the outskirts of Tokyo.Of course, the surrounding environment will go through urbanization and rapid changes. With this future image in mind, I figured the contradicting style of a half open-plan could work for this haphazard countryside on the outskirts of Tokyo. The outer circle of the semi-transparent metal wall will partially obstruct the view from outside and the inner walls of transparent glass, with an outdoor space in between, which is hardly a garden, will serve as a “buffer” to adapt to the future changes in the surroundings: these elements formed my concept of an open-plan architecture which is wrapped in outer layers of, so-called, double-skin.