logo

Musical and Poetic Creativity for A Unique Moment in the Western Christian Liturgy, c.1000-1500

Sector: Education • Location: United Kingdom, Norway

Source: EU Funding & Tenders Portal

Project
Ongoing

BENEDICAMUS pursues a transformative focus on creative practices surrounding a particular moment in the Western Christian liturgy: the exclamation Benedicamus Domino (“Let us Bless the Lord”), which sounded in song several times a day from c.1000 to 1500. This moment was granted special musical licence c.1000: singers of plainchant melodies could choose to reprise a favourite tune from the Church

Project Information FAQ

Project Information

3 Q
The project “Musical and Poetic Creativity for A Unique Moment in the Western Christian Liturgy, c.1000-1500” is an infrastructure initiative in the Education sector, located in United Kingdom, Norway. Taiyo aggregates data on it from EU Funding & Tenders Portal.

Want to explore the full details? View the full report

Participants

Sponsoring Agency

Obfuscated Data

Company

Obfuscated Data

Status

Original status

ongoing

Taiyo status

Obfuscated Data

Taiyo last update

00-00-0000

Available timestamps

00-00-0000

Available timestamp type

Obfuscated Data

Contact

Contact name

Obfuscated Data

Phone

0000000000

Email

ObfuscatedData@email.com

Address

Obfuscated Data, Obfuscated data, obfuscated data, Obfuscated data

Description

Description

BENEDICAMUS pursues a transformative focus on creative practices surrounding a particular moment in the Western Christian liturgy: the exclamation Benedicamus Domino (“Let us Bless the Lord”), which sounded in song several times a day from c.1000 to 1500. This moment was granted special musical licence c.1000: singers of plainchant melodies could choose to reprise a favourite tune from the Church music for the day, re-texting it with the words Benedicamus Domino. In consequence, Benedicamus Domino enjoyed unprecedented longevity and significance as a focus of compositional interest, prompting some of the earliest experiments in multi-voiced polyphonic composition c.1100, as well as a lasting tradition of popular, devotional carols in the 1300s and 1400s. Histories of music have principally told the stories of particular composers, genres, institutions, or geographical centres. BENEDICAMUS undertakes the first longue durée study of musical and poetic responses to an exceptional liturgical moment, using this innovative perspective to work productively across established historiographical and disciplinary boundaries. Encompassing half a millennium of musical and ritual activity, hundreds of musical compositions, poetic texts, and manuscript sources, it offers pan-European perspectives on a chronologically and geographically diverse range of musical and poetic genres never before considered in conjunction. It develops new methods of music analysis to uncover traces of ad hoc or improvisatory performative practices that were not explicitly recorded in writing, forging interdisciplinary contexts for thinking about artistic creativity and experimentation in a time-period where these concepts have been little studied. BENEDICAMUS engages with the beginnings of musical and poetic genres and techniques that were crucial in shaping practices still current today, and reflects on music’s enduringly complex relationship with spirituality, ritual, and the sacred.

Original sub-sector

Obfuscated

Original Currency

USD

Original budget

000000000000000

Procurement method

Obfuscated Data

Budget

000000000000000

Location

Region

Obfuscated

Country

Obfuscated

State

Obfuscated Data

County

Obfuscated

Location

Obfuscated Data, Obfuscated data, obfuscated data, Obfuscated data

Source

Source reliability

High

Data quality score

100%

Source

Obfuscated Data

URL

obfuscated_data,obfuscateddata.com

More Details

Project Type

Obfuscated Data

Article Published Date

Obfuscated Data