Saba House / Project 51 A (h)

closed

Text description provided by the architects.The design started from an old house where a family of seven stood, one yet to be born. Hari & Sreelakshmi, Usha-Hari's mother, Malathi teacher, Hari's grandmother, kids sankari, paru and yet to be born sreebala. Four generations living in a 60-year-old house that had begun to show its age with dimly lit rooms, leaking walls and lack of facilities, still age has limited their house with its responsibilities which made them thinking of a new house. Located in Pallickathodu, Kottayam, a 22-cent hilltop plot slopes 24 feet across. With a southern road, it gets constant airflow. The house follows the natural terrain without affecting movement.The old house's dim, divided rooms kept residents apart. In the new design, all areas except bedrooms and toilets are open, shared spaces. The entry leads to the living, dining, and kitchen areas. Usha's and the grandmother's rooms are on the same level for easy access. The kids' space is six feet lower, with a study and bedroom below. The master bedroom is four feet above the living area, linked by a bridge. Openings from the kitchen and passage connect visually to the kids' area. All bedrooms face north toward lush greenery; the grandmother's room on the northwest overlooks her old home—an emotional anchorTo enhance ventilation, wind catcher walls with perforated openings were placed on the southwest. A skylight between them brought daylight to common areas. The 10-foot-high main door, designed to channel airflow, was shifted west for privacy and circulation. When openings are closed, a jack arch roof—comprising elongated brick vaults on beams—allows continuous airflow through side vents without compromising privacy.The sole purpose of the house was to accommodate all the residents without compromising the light and air ventilation within the limits of area and budget. The applied color made the house a marker in the neighborhood. Upon entering the new house, grandmother Malathi Teacher felt a breeze she never felt in her old house. She gave the house a name with the breeze she felt, which depicted a purpose the house holds, Saba.Solid expanses of red were placed for the walls cutting the wind stream and was extended to the interior and to the furnishings, a color picked for its contrasting and complementary qualities relative to the lush green of the surrounding that made the house to elevate from the shades of rubber plantation engulfing the surrounding and the old house.Saba ensures accessibility, with elders' rooms on the same level as the living space. The children's rooms are on a lower level, six feet down, with their study area and bedroom further down the staircase. The master bedroom is positioned above the kids' space, accessible via a bridge. Openings from the kitchen and a passage to the master bedroom create a visual connection with the children's areas, integrating the space. Bedrooms face the north side, offering views of the landscape and rubber plantation, while the grandmother's room faces the northwest, connecting emotionally with the old house she lived in.