logo

The Cinematic Battle for the Adriatic: Films, Frontiers, and the Trieste Crisis

Sector: Power Generation (CCGT) • Location: Italy

Source: EU Funding & Tenders Portal

Project
Ended

The project will analyse cinematic practices related to the Trieste Crisis (1945-54), a diplomatic struggle over the Italo-Yugoslav border at the outset of the Cold War, which remains the region’s most controversial issue due to the violence it invoked. Central to the conflict’s soft power dimension, both countries produced a collection of films about these events, which coincided with the establi

Project Information FAQ

Project Information

3 Q
The project “The Cinematic Battle for the Adriatic: Films, Frontiers, and the Trieste Crisis” is an infrastructure initiative in the Power Generation (CCGT) sector, located in Italy. Taiyo aggregates data on it from EU Funding & Tenders Portal.

Want to explore the full details? View the full report

Participants

Sponsoring Agency

Obfuscated Data

Company

Obfuscated Data

Status

Original status

ended

Taiyo status

Obfuscated Data

Taiyo last update

00-00-0000

Available timestamps

00-00-0000

Available timestamp type

Obfuscated Data

Contact

Contact name

Obfuscated Data

Phone

0000000000

Email

ObfuscatedData@email.com

Address

Obfuscated Data, Obfuscated data, obfuscated data, Obfuscated data

Description

Description

The project will analyse cinematic practices related to the Trieste Crisis (1945-54), a diplomatic struggle over the Italo-Yugoslav border at the outset of the Cold War, which remains the region’s most controversial issue due to the violence it invoked. Central to the conflict’s soft power dimension, both countries produced a collection of films about these events, which coincided with the establishment of film festivals as important geo-political events. Taking festivals as lieux de mémoire, the project will explore how the conflict’s cinematic representation (specifically the foibe massacres, the Italian exodus, the fascist crimes and the anti-fascist struggle) has been employed to construct desirable cultural memories related to its national and ideological concerns. It will compare Italian and Yugoslav (Slovenian, Croatian) perspectives, by investigating three levels of cinematic action: 1) film production, 2) film festival circulation, and 3) film reception through awards and press reviews. It will compare two periods, both marked by higher interest in this topic: the Trieste Crisis itself and the period following the establishment of Giorno del Ricordo in Italy in 2004. By including historical and contemporary viewpoints, the study will examine how the narrativization of these events has evolved from the early Cold War to the present day. The project will result in a digital archive presenting: 1) film database with contacts of institutions housing the films, 2) film analysis in the given political and social context 3) selection of films and archival documents. The project will offer the first analysis of this film corpus and make widely accessible a collection of related cinematic cultural heritage. In engaging with an interdisciplinary approach, it will provide a contribution to the study of cinema, film festivals and cultural memory, and a practical toolkit for researchers and cultural programmers, which can act as a model for other, comparable studies.

Original sub-sector

Obfuscated

Original Currency

USD

Original budget

000000000000000

Procurement method

Obfuscated Data

Budget

000000000000000

Location

Region

Obfuscated

Country

Obfuscated

State

Obfuscated Data

County

Obfuscated

Location

Obfuscated Data, Obfuscated data, obfuscated data, Obfuscated data

Source

Source reliability

High

Data quality score

100%

Source

Obfuscated Data

URL

obfuscated_data,obfuscateddata.com

More Details

Project Type

Obfuscated Data

Article Published Date

Obfuscated Data