Tokyo Tatemono Mitsutera Building / TAISEI DESIGN Planners Architects & Engineers

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The plan called for access to both the temple and the hotel to be provided from Midosuji Avenue. It was felt that inviting the people passing by on Midosuji Avenue was important to ensure an ongoing relationship with the local community. The design concept was "Open Mitsutera," and a three-story atrium piloti structure on the temple grounds was constructed as a space that would be open to all, and where Buddhism would be a familiar presence. An entrance for greeting hotel guests was also provided on the temple grounds.The hotel brand concept of "Gleaming Brightly" resonates with the main hall's inner sanctum, which is decorated in lacquer and gold leaf. In addition, the lighting plan that evokes the power and dignity of the main hall creates an integrated temple premises environment that fuses the temple and the hotel, the old and the new.Preserving the Main Temple Hall for Future Generations Through Coexistence With the Hotel: A Temple Open to a Community in Which Buddhism is a Familiar Presence–  The Mitsutera temple has long been a beloved part of Osaka's Minami district, where it is known by the nickname "Mittera-san."To ensure that the main hall, which has long been the center of worship, will continue to fulfill that role for the next 50 to 100 years, for this project, it was decided to completely enclose the Mitsutera temple main hall with the new building. Accordingly, the main hall was moved intact in three stages and enclosed within a three-story atrium piloti structure.Within the temple grounds, not only religious ceremonies such asGomataki(the Buddhist rite of burning small sticks of wood on the altar to invoke divine help) but also lectures and live music performances, and various other special events are held. Hotel guests are also invited to participate in morning services at the temple and so on.The wooden main hall, which was rebuilt in 1808 in the latter part of the Edo period, escaped damage even during the bombing ofOsakain 1945, in which many wooden structures were destroyed. As a result, the gorgeous Edo artwork that includes colorful flower paintings and columns, and statues decorated with gold leaf, lacquer, and overglaze enamel that were created more than a century ago has been preserved in all of its grandeur.By effectively using the space above the main hall, a prototype for a new urban-style temple coexisting with a hotel and stores was achieved. In addition to preserving the main hall, the prime location on Midosuji Avenue has the potential to enable sustainable temple administration without the need to rely exclusively on donations from believers.